My Day in Bindings, Part 1

September 10th was like an orgy of bindings.

I saw so many bindings and spoke to so many binders in one day; it was sensory overload. It has taken me days to recover.

I started out in Somerville at Sheri’s place (Sheri is my editor), met Sonya Sheats in Cambridge, took the T with her to Boston to see La couleur du vent at NBSS. Sonya has a binding (which she doesn’t like) in the exhibit, but hadn’t had a chance to see it yet (more on that exhibit later). We ran into NBSS binding program director Jeff Altepeter on his way back from a coffee run for Dominic Riley, who was teaching at the school last week. We had arrived just in time for Dominic’s informal lecture about his life in fine art bookbinding. What a nice surprise! Sonya and I were allowed to sit in.

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Continue reading “My Day in Bindings, Part 1”

Revival

This blog is not dead.

Sorry for the silence. I’ve had a few things going on. I’m sure you will all be pleased to know that my husband is recovering extremely well from his cycling accident and my daughter has successfully completed the fourth grade.

You know what else is not dead?

The Guild of Book Workers New York Chapter. After a hiatus, it is up and running again thanks to Celine LombardiSaira Haqqi, Jane Mahoney, and Carol Margreither Mainardi. The first event organized by the new board was the Spring Swap Meet, graciously hosted by Judy Ivry at her bindery on East 4th Street, a couple of weeks ago.

I recently joined the Guild and the NY chapter. I was pretty excited to talk to binders I’ve heard of, met only briefly, or have only communicated with via email. Plus, I heard that some binders would be selling books, catalogues, and journals from their personal collections. Pathetically, I couldn’t get my butt there until 2pm, so I missed many binders and books. I heard that the fine press books in sheets sold in minutes. I don’t want to know which books they were. I’m sure it would just make me sad. Still, I managed to pick up some nice items for my collection of catalogues (thank you, Jenny Hille!), some back issues of The New Bookbinder, and a back issue of The Guild of Book Workers Journal.

The whole event was kind of a blur for me. It was a constant stream of book folk coming and going. I finally met Celine in person. We had been corresponding sporadically ever since I coincidentally met her brother in January. I was delighted to meet Judy Ivry and Ursula Mitra (with whom I have also corresponded, but never met). Then I went into a world of bliss with Christine Giard and her laptop. Her website has a very small sample from the hundreds of bindings she has created. She showed me over two hundred photos of her design bindings (and at least as many of her amazing marbled papers). Ursula asked Christine how many design bindings she has made. Christine shrugged and said, “I don’t know. Maybe 500 or 600.” Jaws dropped.

Christine’s bindings vary widely in design and materials. I was blown away by her range. She is such a tease. After a while, she started making me guess the materials just by looking at the picture. I got just a few: wood, polycarbonate and automotive paint, brass with copper wire, box calf. Here are some others: neoprene, rubber intended for shoe soles, acupuncture needles, plexiglass, rubber cut from motorcycle tires (she’s a biker), and japanese paper covered relief structures that make the binding look like pleated fabric. I’m not going to give it all away here because I am going to write at least one post about her, with lots of pictures and details. Christine takes excellent photographs, not just of her bindings.

I hear all of you saying, but she is FRENCH! Yes, but Christine has lived and practiced in NYC for over two years.

I claim her for The Americas!

Recent acquisitions:

demi-siecle 1984

Jean de Gonet

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