Nearly two years ago, I blogged excitedly about the announcement of OPEN • SET, a new international bookbinding competition.
Lots of bookbinding-related things happened between then and now: auctions, competitions, exhibitions, book fairs, awards, and even a few blogs posts. All that time, I was eagerly awaiting the results of the OPEN • SET competition judging. When the winners were announced, I tweeted and wrote about it on Facebook, but I failed to blog about the winners and exhibition locations and dates. Today I am correcting the omission. Continue reading “OPEN • SET Competition Winners”→
Gil Jouanard – Savoir où Ediciones Fata Morgana Estructura francesa / encartonado Pleno cuero box beige. Decoración con técnica de mosaico. cuero impreso y lijado. 22,2 x 14,7 cm
My exposure to and familiarity with bookbinding did not happen very long ago. I majored in art history at UBA (Universidad de Buenos Aires), and I had always worked in the plastic arts. It was at the end of 2011 that, encouraged by a friend, I enrolled in an intensive course that art bookbinder Sol Rébora was giving in her studio. It was there that I discovered a world that I had absolutely known nothing about, that of artistic bookbinding. This combination of “savoir faire” of the profession, and the artistic design, captured me completely. Since then, I have devoted myself to my professional development: taking whatever course I could, attending all through 2012 the classes taught by Sol, and attending the regular workshops of Eduardo Tarrico as well. And then planning what was, for me, the most relevant experience I had in relation to my professional growth: my trip to Paris.