I just got back from the opening of “The Poet of Them All.” It’s a must see. Whether or not you like miniature books, you’ll never see so many works by great binders on display in one exhibit. Fortunately, I’ve had the great privilege of handling many of the bindings in the past few years, otherwise it would have been totally overwhelming. Leave yourself plenty of time and buy the catalog. You won’t regret it.
My exposure to and familiarity with bookbinding did not happen very long ago. I majored in art history at UBA (Universidad de Buenos Aires), and I had always worked in the plastic arts. It was at the end of 2011 that, encouraged by a friend, I enrolled in an intensive course that art bookbinder Sol Rébora was giving in her studio. It was there that I discovered a world that I had absolutely known nothing about, that of artistic bookbinding. This combination of “savoir faire” of the profession, and the artistic design, captured me completely. Since then, I have devoted myself to my professional development: taking whatever course I could, attending all through 2012 the classes taught by Sol, and attending the regular workshops of Eduardo Tarrico as well. And then planning what was, for me, the most relevant experience I had in relation to my professional growth: my trip to Paris.