I won the drawing for the book I wanted in the InsideOUT exhibit:
Cathy Adelman‘s binding of The Bicycle Diaries, text by Richard Goodman, color wood engravings by Gaylord Schanilec, published by Midnight Paper Sales, 2011.
Everything about it is right for me: American binder, American press, American artist, meaningful New York topic, and drop-dead gorgeous binding. Plus, my husband is an avid cyclist.
Leather spine with wooden boards covered with grey bird’s-eye maple veneer inland with aluminum rods. The rods are arranged in the spoke pattern of a bicycle wheel. Grey Fabriano ‘Roma’ endpapers. 238 x 150 x 20mm
In celebration of my first acquisition (commissions not yet delivered don’t count), we are going to have a little Cathy Adelman fest. Make sure you take a look at her stunning portfolio on her website as well. I’m hoping to avoid duplication.
Stone Eye. Multi-colored silk endbands, marbled end sheets, graphite edges. Covered in full black oasis goatskin with leather hinges. Onlays of variously colored leathers. Blind tooled, title tooled in gold. Created by Richard Taylor, Kentucky’s former poet laureate, and Gray Zeitz, letterpress printer and publisher of Larkspur Press. Wood engravings by Canadian artist Wesley Bates. Minnesota Guild of Book Workers exhibit 2002.
Recollections. Oasis goatskin binding with raised bands, blind and gold tooling, silk endbands, graphite edge; matching chemise and slipcase; marbled paper by Karli Frigge. 26.5 x 19 x 3 cm. Bound in 2002 for CBBAG T he Art of the Book exhibit 2003
Franz Kafka, Josephine the Singer, Press Intermezzo. This millimeter binding is covered in paper designed by the binder, with leather trim at the head and tail of spine. Leather endbands, graphite edge, leather label, titled with foil. 20cm x 16 x 1cm. Edelpappband Bind-o-Rama 2005.
Estonian children, The Best Thing in the World, 2005. Poems and fairytales written by Estonian children, bound in a bradel style binding with a gray leather spine, gray bird’s eye maple boards, graphite edge, leather endbands, paladium title. The endpapers and slip case cover are original drawings by the binder. 26.4 x 20.5 x 2 centimeters. Created 2005. Guild of Book Workers 100th Anniversary exhibit, 2006
Edward Lear, Another Nonsense Story, The Old Stile Press, GB, 1990; Dos-a-Dos structure, marbled paper binding with leather endbands. Hand Bookbinders of California exhibit 2006.
John Muir. Heaven on Earth. Illustrated by Charles D. Jones. Austin: Press Intermezzo, 1998. A French style binding with laced-on boards. The top edge is graphite with red silk hand sewn endbands. The book is covered in black goatskin with black emery paper and black morocco onlays, traditional chemise and slipcase. Sample binding submitted to the 2009 DeGolyer competition
Letter of Elizabeth, Lady Chandos, to Francis Bacon. French style binding in full box calf leather with box calf doublures, fly leaves and onlays 20.3 x 15.5 x 1.4 cm Philadelphia Guild of Bookworkers show at the Athenaeum of Philadelphia, June, 2011 and Venice Italy, October, 2011
Dires Erotiques Haikus. Society of Bookbinders exhibit 2011
Gilles Vigneualt. La couleur du vent. Full leather. Mosaic décor set with dark red box. Bound ca. 2013 for ARA exhibit 2013-2014